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Abstract Swirling Lines on Blue Ground, 2017

Estimated price$4,200 – $7,800

Acrylic on canvas

110 × 110 cm | 43.3 × 43.3 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Dense, swirling loops of dark brown line work spiral across a cool blue-grey ground, revealing glimpses of soft pink and pale yellow beneath the tangled layers. The composition pulses with restless energy, balancing controlled mark-making against an almost frenetic visual rhythm.

Farouk Lambaz (Jordan).

Acrylic on canvas, 110 × 110 cm, 2017.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
110 × 110 cm | 43.3 × 43.3 in
Year
2017
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Blue, Pink
Location
Amman, Jordan

About the artist

Farouk Lambaz — Acrylic on canvas , 110 × 110 cm (representative image)
Farouk Lambaz

Jordan

Farouq Lambaz (1942–2021) was a distinguished Jordanian artist renowned for his innovative integration of Arabic calligraphy and Islamic art into contemporary painting. Born in Amman, he earned a law degree from the University of Damascus but pursued a career in art and design. Lambaz's work is characterized by a unique Arabesque style, blending traditional motifs with modern techniques to celebrate Islamic and Arabic heritage. His meticulous craftsmanship involved creating embossed layers of calligraphic forms, imparting depth and movement to his compositions.

Throughout his career, Lambaz held numerous solo exhibitions, including shows at the French Cultural Center in Amman (1968), Alia Art Gallery (1976, 1982, 1984), and the Jordanian Embassy in Washington D.C. (1986). He also participated in international exhibitions, such as the Jordanian Art Exhibition in Beijing (1984) and "A Meeting Point" in Gothenburg, Sweden (1998). His works have been acquired by collectors in the United States, England, and Sweden. In recognition of his contributions to art, Lambaz was awarded the Jordanian Kawkab Medal of the Fourth Order by the late King Hussein.

In addition to his artistic endeavors, Lambaz served as the director of the Promotion and Design Section at Royal Jordanian Airlines and managed the Alia Art Gallery from 1982 to 1996. His legacy endures through his distinctive approach to calligraphy and his dedication to preserving and innovating within the realm of Islamic art.

View all works by Farouk Lambaz

Acrylic

A fast-drying, water-based paint developed in the twentieth century. Versatile and vivid, it can mimic oil or watercolor and suits bold, flat color — a favourite of many contemporary artists across the region.

Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.