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Abstract Organic Form with Geometric Lines, 1978

Estimated price$5,000 – $6,500

Printmaking

25 × 19 cm | 9.8 × 7.5 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

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About the work

A compact biomorphic form floats against a pale ground, its curved outer shell enclosing an intricate play of arcs, hatched lines, and interlocking circular shapes. The composition is at once organic and precisely drawn, conveying a quiet, analytical energy.

Farid Belkahia (Morocco, 1934–2014).

Printmaking, 19 × 25 cm, 1978.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. Signed and editioned 4/8.

Medium
Size
25 × 19 cm | 9.8 × 7.5 in
Year
1978
Edition
4/8
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Black and White, Grey
Location
Amman, Jordan

About the artist

Farid Belkahia — Printmaking , 45 × 58 cm (representative image)
Farid Belkahia

Morocco, b. 1934–2014

Farid Belkahia (فريد بلكاهية, also transliterated as Farid Belkahya) was a pioneering Moroccan artist born in Marrakech in 1934 and active until his death in 2014. Renowned for his innovative approach to materials and techniques, Belkahia is celebrated for his work in painting, sculpture, and installation, often utilizing copper, leather, and natural pigments. His practice is deeply rooted in Moroccan heritage, drawing on traditional motifs and artisanal methods while engaging with modernist abstraction. Belkahia’s distinctive style is marked by organic forms and a focus on the symbolic and spiritual dimensions of art, positioning him as a central figure in the post-independence Moroccan art movement.

Belkahia’s work has been featured in major institutional exhibitions, including retrospectives at the Mathaf: Arab Museum of Modern Art in Doha and the Centre Pompidou in Paris, underscoring his international significance. He was also a key figure in the Casablanca School, which sought to redefine Moroccan art in the 1960s and 1970s. His pieces are held in prominent collections such as the Tate Modern and the Guggenheim Abu Dhabi. At auction, Belkahia’s works have achieved notable results at major houses including Sotheby’s and Christie’s, with his leather and copper compositions commanding strong interest from collectors of modern Arab art. His enduring legacy continues to influence generations of artists in Morocco and beyond.

View all works by Farid Belkahia

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.