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Two Abstract Figures Dancing in Foliage, 1990

Estimated price$1,974 – $3,666

Screenprint In Colours On Wove

69 × 45 cm | 27.2 × 17.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

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Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

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About the work

Two boldly stylised figures — one earthy red-brown, one deep blue — face each other mid-dance against a layered green and blue landscape dotted with dark foliage. The composition is lively and expressive, with flat interlocking shapes and strong outlines giving the scene a dreamlike, animated energy.

Eileen Agar (Argentinia, 1899–1991).

Screenprint In Colours On Wove, 45 × 69 cm, 1990.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. Signed and editioned Pp 3 6 .

Medium
Size
69 × 45 cm | 27.2 × 17.7 in
Year
1990
Edition
Pp 3 6
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Blue, Green, Brown
Location
Amman, Jordan

About the artist

Eileen Agar — Screenprint In Colours On Wove, 45 × 69 cm (representative image)
Eileen Agar

Argentinia, b. 1899–1991

Eileen Agar (1899–1991) was a British-Argentine artist renowned for her innovative contributions to Surrealism and modern art. Born in Buenos Aires, Argentina, Agar moved to England as a child and later studied at the Slade School of Fine Art in London. Her work spanned painting, collage, photography, and sculpture, often characterized by a playful use of found objects and a fascination with organic forms. Agar became associated with the British Surrealist movement in the 1930s, exhibiting alongside figures such as Paul Nash and Henry Moore. Her distinctive style merged abstraction with surrealist imagery, exploring themes of nature, mythology, and the subconscious.

Agar’s work has been featured in major institutional exhibitions, including the landmark 1936 International Surrealist Exhibition in London and retrospectives at the Whitechapel Gallery and the Scottish National Gallery of Modern Art. Her pieces are held in the collections of the Tate and the Victoria and Albert Museum, underscoring her lasting impact on 20th-century art. At auction, Agar’s works have appeared at leading houses such as Christie’s and Sotheby’s, where her paintings and collages have achieved significant results, reflecting growing recognition of her role in the development of modern British art.

View all works by Eileen Agar

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Surrealism

Art of the dream and the unconscious, juxtaposing unexpected images to unsettle reason and reveal the irrational. Several Arab modernists embraced its imaginative freedom and symbolism.