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Close Up Face with Bared Teeth, 1958

Estimated price$4,900 – $9,100

Lithograph

50 × 40 cm | 19.7 × 15.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A strikingly raw close-up of a face dominates the composition, its bared teeth and deeply etched lines conveying an unsettling, visceral intensity. Buffet's trademark spidery, angular linework strips the subject down to its most elemental and expressive form.

Bernard Buffet (France, 1928–1999).

Lithograph, 40 × 50 cm, 1958.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. Signed and editioned 31/37.

Medium
Size
50 × 40 cm | 19.7 × 15.7 in
Year
1958
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Black and White
Location
Amman, Jordan

About the artist

Bernard Buffet —  Lithograph In Colors On Wove Paper, 50 × 70 cm (representative image)
Bernard Buffet

France, b. 1928–1999

Bernard Buffet (1928–1999) was a prominent French painter known for his distinctive expressionist style, characterized by stark lines, somber palettes, and elongated forms. Buffet worked primarily in oil on canvas but also produced lithographs and illustrations. His subjects ranged from still lifes and landscapes to portraits and religious scenes, often rendered with a sense of melancholy and existential tension. Buffet emerged as a leading figure in postwar French art, associated with the anti-abstraction movement and the School of Paris.

Buffet’s work has been widely exhibited in major institutions, including solo exhibitions at the Musée d’Art Moderne de la Ville de Paris and the Bernard Buffet Museum in Japan, which is dedicated exclusively to his oeuvre. His paintings have also featured in significant group shows at institutions such as the Centre Pompidou. Buffet’s market presence is notable, with works regularly appearing at major auction houses like Christie’s and Sotheby’s. Noteworthy sales include “Clown” and “Le Cirque,” which have achieved strong results, reflecting sustained collector interest in his work.

Born in Paris, France, Bernard Buffet achieved early acclaim and became one of the most recognizable French artists of the 20th century. Despite fluctuations in critical reception, his legacy endures through institutional recognition and a robust secondary market, underscoring his lasting impact on modern European art.

View all works by Bernard Buffet

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.