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Blindfolded Figure Among Bare Trees, 2004

Estimated price$4,935 – $9,165

Oil on Canvas

60 × 50 cm | 23.6 × 19.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

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About the work

A pale, blindfolded figure gazes sideways amid bare winter trees and richly textured geometric motifs, with warm amber tones on one side giving way to deep, moody blues on the other. The composition blends figurative and symbolic elements in an unsettling yet captivating dreamlike scene.

Batool Al Fekaiki (Iraq, 1941–present).

Oil on Canvas, 50 × 60 cm, 2004.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
60 × 50 cm | 23.6 × 19.7 in
Year
2004
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Blue, Orange, Brown
Location
Amman, Jordan

About the artist

Batool Al Fekaiki — Oil on Canvas, 62 × 80 cm (representative image)
Batool Al Fekaiki

Iraq, b. 1941

Batool Al-Fekaiki, born in Baghdad in 1941, is an Iraqi artist renowned for her evocative explorations of the human form. Her work delves into themes of identity, emotion, and mythology, often portraying the female body as a vessel of both joy and suffering. Al-Fekaiki employs a variety of mediums, including oil on canvas, watercolor, and ink, to create pieces that blend abstract expressionism with figurative elements.

Throughout her career, Al-Fekaiki has participated in numerous significant exhibitions. In 1973, she showcased her work at the Al-Wasiti Festival at the National Museum of Modern Art in Baghdad. She has also exhibited internationally, including at the Iraqi itinerant art exhibition in Paris, Damascus, and Kuwait in 1974, and the Iraqi Women Artists Exhibition in Kuwait, Madrid, Vienna, and Italy in 1975. Her solo exhibitions span various countries, such as her 1994 show at Sayda Interiors in London and her 2005 exhibition at Ibn Al-Thahir Gallery in Abu Dhabi. Notably, in 1998, she received the Golden Prize at the International Exhibition of Fine Arts in Al-Maharas, Tunisia, where she also completed a mural at the entrance of the sea port.

Al-Fekaiki's contributions extend beyond the gallery space; she has created several public murals, including a 2x7 meter piece at Baghdad Airport in 1983 and a 2x4 meter mural at the Iraqi Fashion House in 1984. Currently residing in London, she continues to produce art that reflects her deep connection to her Iraqi heritage and her experiences as an artist in the diaspora.

View all works by Batool Al Fekaiki

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.

Surrealism

Art of the dream and the unconscious, juxtaposing unexpected images to unsettle reason and reveal the irrational. Several Arab modernists embraced its imaginative freedom and symbolism.