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Group of Figures in Traditional Dress

Estimated price$497 – $923

Linocut On Paper

22 × 36 cm | 8.7 × 14.2 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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Works leaving Jordan require an export clearance certificate, arranged on your behalf.

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About the work

A bold linocut depicts a close-knit group of figures wearing striped traditional garments, their forms rendered in striking dark ink against a pale handmade paper ground. The expressive, gestural cutting of the block gives the crowded scene raw energy and a strong sense of community.

Atta Kwami (Ghana, 1956–2021).

Linocut On Paper, 36 × 22 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
22 × 36 cm | 8.7 × 14.2 in
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Black and White, Brown
Location
Amman, Jordan

About the artist

Atta Kwami — Linocut On Paper , 36 × 22 cm (representative image)
Atta Kwami

Ghana, b. 1956–2021

Atta Kwami (1956–2021) was a distinguished Ghanaian artist, curator, and scholar celebrated for his vibrant paintings, prints, and murals that drew inspiration from the visual culture and architecture of West Africa. His work is characterized by rhythmic patterns, bold color palettes, and a synthesis of abstraction and references to traditional Ghanaian kente cloth and urban landscapes. Kwami’s practice extended beyond painting to include printmaking and public art, reflecting his deep engagement with both contemporary and historical African art forms.

Kwami’s art has been exhibited in prominent institutions, including the British Museum and the Victoria and Albert Museum in London, as well as the National Museum of African Art, Smithsonian Institution, in Washington, D.C. He participated in significant international exhibitions such as the Dakar Biennale and the Venice Biennale, further establishing his reputation on the global stage. In 2021, he was awarded the Maria Lassnig Prize, which included a solo exhibition at the Serpentine Galleries in London, underscoring his influence and legacy.

His works have appeared at major auction houses, with sales at Sotheby’s and Bonhams reflecting growing recognition and demand for his art in the international market. Kwami’s contributions as both an artist and academic have left a lasting impact on the discourse surrounding modern and contemporary African art. Born in Ghana, he remained deeply connected to his roots throughout his life, shaping a unique artistic language that resonates across continents.

View all works by Atta Kwami

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.