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Figures in Brown and Blue, 1990

Estimated price$1,484 – $2,756

Colour aquatinton wove, signed and dated in pencil, from the edition of 25

39 × 49 cm | 15.4 × 19.3 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Ghostly figurative forms emerge from a heavily textured field of deep brown and sepia tones, with a pale blue streak cutting across the upper register. The composition evokes the atmospheric quality of an aged Old Master painting, its figures dissolving into and out of the ground with quiet intensity.

Arturo di Stefano (Virgin Islands (British), 1955–present).

Colour aquatinton wove, signed and dated in pencil, from the edition of 25, 49 × 39 cm, 1990.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. Signed and editioned 14 /100 .

Medium
Size
39 × 49 cm | 15.4 × 19.3 in
Year
1990
Edition
14 /100
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Brown, Blue, Grey
Location
Amman, Jordan

About the artist

Arturo di Stefano — Colour aquatinton wove, signed and dated in pencil, from the edition of 25, 49 × 39 cm (representative image)
Arturo di Stefano

Virgin Islands (British), b. 1955

Arturo di Stefano is a British painter born in 1955, recognized for his contemplative figurative and architectural compositions. Although sometimes associated with the British Virgin Islands due to confusion over his surname, di Stefano is based in the United Kingdom and is of Italian descent. He is known for his meticulous technique, often working in oil on canvas, and his works frequently explore themes of memory, time, and the interplay between light and structure. His paintings are characterized by a quiet, almost meditative atmosphere, with a focus on architectural forms, interiors, and the human figure rendered with subtle tonal variations.

Di Stefano has exhibited widely in the UK, including notable solo exhibitions at the Royal Academy of Arts and the Royal Scottish Academy. His work has also been shown at the National Portrait Gallery in London, reflecting his standing within the British art scene. In addition to institutional recognition, his paintings have appeared at major auction houses such as Christie’s and Sotheby’s, where they have attracted the attention of collectors interested in contemporary British painting. Throughout his career, di Stefano has maintained a consistent presence in both public and private collections, underscoring his reputation as a significant figure in late 20th and early 21st-century British art.

View all works by Arturo di Stefano

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.