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Aerial View of White North African City

Estimated price$497 – $923

Graphic, Print Making

37 × 55 cm | 14.6 × 21.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A sweeping aerial view of a densely packed North African medina unfolds beneath a brooding, storm-laden sky, its clusters of white cubic buildings punctuated by dark palm trees. The expressive composition captures both the architectural rhythm of the historic city and the dramatic tension of the gathering clouds above.

Ali Zwick (Libya).

Graphic, Print Making, 55 × 37 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
37 × 55 cm | 14.6 × 21.7 in
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Grey, Black and White, Green
Location
Amman, Jordan

About the artist

Ali Zwick — Graphic, Print Making , 55 × 37 cm (representative image)
Ali Zwick

Libya

Ali Ahmed Al-Zwick (1949–2025) was a prominent Libyan artist renowned for his distinctive watercolor paintings that seamlessly blended realism with imaginative elements. His works often depicted everyday objects like fruits and vessels, transforming them into forms reminiscent of insects or animals, reflecting a deep, symbolic connection to nature. Al-Zwick's art was characterized by a poetic sensibility, merging childlike innocence with profound symbolism.

Born in the city of Zawiya, Libya, Al-Zwick pursued his artistic education in Belgium and spent a significant portion of his life in Europe. His international exposure led to numerous exhibitions across the globe, including notable shows in Belgium, Switzerland, Austria, Sweden, Cuba, and Venezuela. His acclaimed painting "The White Village" stands as a testament to his unique style and has been celebrated both locally and internationally. In recognition of his contributions, Al-Zwick received several awards, such as the first prize from the Department of Culture in Tripoli in 1973, the honorary award at the Kuwait Biennial in 1974, and the watercolor painting award in Belgium in 1985.

Al-Zwick's work drew the attention of the Swiss UNESCO mission, which studied prehistoric art in southern Libya. They regarded his creations as a creative extension of Libya's prehistoric artistic heritage, particularly the rock engravings found in the Tadrart Acacus and Tibesti mountains. His book "Floods of Narrative – Art of the Cell" compiled his artworks alongside critical analyses from various cultures, highlighting the depth and diversity of his artistic journey. Al-Zwick's passing in February 2025 marked the loss of a significant figure in Libyan and Arab art, leaving behind a legacy that continues to inspire and resonate within the art community.

View all works by Ali Zwick

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.