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Nawash-1993-recSZFDhzYdhTQndm
Three Stylized Figures on Open Ground - shown to scale
Ahmad Nawash

Three Stylized Figures on Open Ground, 1993

Estimated price$28,000 – $52,000

Oil on Board

64 × 50 cm | 25.2 × 19.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.
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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Three elongated, stylized figures gather on a bare sandy ground beneath a muted blue sky, their exaggerated proportions and simplified features conveying a quiet, tense exchange. The bold, flat forms and earthy palette give the scene a raw, folk-expressionist quality.

Ahmad Nawash (Jordan, 1934–2017).

Oil on Board, 50 × 64 cm, 1993.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
64 × 50 cm | 25.2 × 19.7 in
Year
1993
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Blue, Brown, Red
Location
Amman, Jordan

About the artist

Ahmad Nawash — Oil on board, 104 × 72 cm (representative image)
Ahmad Nawash

Jordan, b. 1934–2017

Ahmad Nawash (أحمد النواش, also transliterated as Ahmad Al-Nawash) was a pioneering Jordanian artist born in 1934 and active until his passing in 2017. Recognized as one of the foundational figures of modern art in Jordan, Nawash’s practice encompassed painting, drawing, and printmaking. His work is noted for its expressive use of color and form, often reflecting themes rooted in Jordanian heritage and broader Arab identity, while also engaging with modernist and abstract tendencies.

Nawash’s art has been exhibited in significant institutional settings, including the Jordan National Gallery of Fine Arts, which holds several of his works in its permanent collection. He participated in numerous solo and group exhibitions both within Jordan and internationally, contributing to the visibility of Jordanian contemporary art on the global stage. His contributions have been acknowledged by art historians and critics as instrumental in shaping the trajectory of visual arts in Jordan.

At auction, Ahmad Nawash’s works have appeared at major houses such as Christie’s, notably in sales focusing on Modern and Contemporary Arab, Iranian, and Turkish Art. His paintings have attracted collectors’ interest, achieving notable results that underscore his importance in the regional art market. Nawash’s enduring legacy is marked by his role as both an artist and educator, influencing generations of Jordanian artists through his creative output and mentorship.

View all works by Ahmad Nawash

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.
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Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.
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